Schnauzer Nain Miniature Schnauzer Toile Art Affiche Film - Gilda

Schnauzer Nain Vintage style de film d'affiche de toile NOUVELLE COLLECTION!

Schnauzer Nain beaux-arts,impression sur toile pleine de couleurs en édition limitée numérotée (1 à 500) et signé par l'artiste en format A3 + (40 x 30 cm ou 16 x 12 cm) en toile.
Toutes les toiles sont enveloppés Galerie de sorte qu'il est prêt à accrocher sur le mur sans encadrement.
Toutes les oeuvres sont mon propre art. Toutes nos impressions sont produites sur l'état de l'art, les imprimantes Canon de qualité professionnelle.
Nous utilisons TOILES GICLÉES avec les encres pigmentées d'archives pour garantir que vos impressions durer toute une vie sans décoloration ou la perte de couleur. Impressions sur toile Giclée sont extrêmement élevés des tirages de qualité art numérique produites avec les encres de qualité d'archivage et de toile d'artiste. Une giclée sur toile est l'option parfaite pour les clients qui veulent avoir l'aspect d'une huile d'origine dans leur paroi.

★ La nouvelle collection inspirée par des affiches de vieux films
★ Toutes les oeuvres sont mon propre art
★ Galerie toile enroulée, facile à accrocher, ou debout sur une étagère
★ Chaque tirage a une signature dans le dos
★ Limited Edition
★ Encres Archival Imprimer toile encadrée
★ Pouces 16x12
★ Satisfaction garantie

Description de cinéma :

Gilda is a 1946 American black-and-white film noir directed by Charles Vidor. It stars Glenn Ford and Rita Hayworth in her signature role as the ultimate femme fatale.
Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears...
In the scene where Gilda is brought back to Argentina by Tom, she slaps Johnny hard across both sides of his face. In reality, Rita Hayworth's smacks broke two of 'Glenn Ford''s teeth. He held his place until the take was finished.
Rita Hayworth had to wear a corset while shooting "Put the Blame on Mame," as she gave birth to her first daughter, Rebecca, months before filming.
The movie's poster was as #6 of "The 25 Best Movie Posters Ever" by Premiere.
There is a rumour that this film is the only time you hear Rita Hayworth's real singing voice but it is sadly not true. According to the bonus features from the DVD, Rita actually never recorded her own singing voice and was a talented lip-syncher. Anita Ellis dubbed almost all of her singing in "Gilda." Rita always wanted to do her own singing, and Columbia Pictures chief Harry Cohn paid for her voice lessons, but she never developed a voice he considered strong enough to be used, and Rita remained bitter about that for the rest of her life.

Matériaux utilisés : Toile