Bull Terrier Toile Poster Art Affiche Film - Rear Window

Bull Terrier - Rear Window d'affiche de TOILE NOUVELLE COLLECTION!

Bull Terrier Beaux-arts, impression sur toile pleine de couleurs en édition limitée numérotée (1 à 500) et signé par l'artiste en format A3 + (30 x 40 cm ou 12 x 16 inch) en toile.
Toutes les toiles sont enveloppés Galerie de sorte qu'il est prêt à accrocher sur le mur sans encadrement.
Toutes les oeuvres sont mon propre art. Toutes nos impressions sont produites sur l'état de l'art, les imprimantes Canon de qualité professionnelle.
Nous utilisons TOILES GICLÉES avec les encres pigmentées d'archives pour garantir que vos impressions durer toute une vie sans décoloration ou la perte de couleur. Impressions sur toile Giclée sont extrêmement élevés des tirages de qualité art numérique produites avec les encres de qualité d'archivage et de toile d'artiste. Une giclée sur toile est l'option parfaite pour les clients qui veulent avoir l'aspect d'une huile d'origine dans leur paroi.

★ La nouvelle collection inspirée par des affiches de vieux films
★ Toutes les oeuvres sont mon propre art
★ Galerie toile enroulée, facile à accrocher, ou debout sur une étagère
★ Chaque tirage a une signature dans le dos
★ Limited Edition
★ Encres Archival Imprimer toile encadrée
★ Pouces 12x16 inch ou 30x40cm
★ Satisfaction Garantie

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Description de cinéma :

Rear Window is a 1954 American suspense film directed by Alfred Hitchcock, written by John Michael Hayes and based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, and Thelma Ritter.
The film is considered by many filmgoers, critics and scholars to be one of Hitchcock's best.The film received four Academy Award nominations and was ranked #42 on AFI's 100 Years…
Nominated for 4 Oscars. Another 4 wins & 5 nominations .
The film was inspired in part by the real-life murder case of Patrick Mahon. In 1924, in Sussex, England, Mahon murdered his pregnant mistress, Emily Kaye, and dismembered her body. In the modern interview, Alfred Hitchcock claimed that Mahon threw the body parts out of a train window piece by piece and burned the head in his fireplace. Another modern source, however, states that Mahon quartered the body and stored it in a large trunk, then removed internal organs, putting some in biscuit tins and a hatbox and boiling others on the stove.
In addition to Mahon, Alfred Hitchcock noted in the modern interview that the 1910 case of Dr. Hawley Harvey Crippen also served as an inspiration for the film. Crippen, an American living in London, poisoned his wife and cut up her body, then told police that she had moved to Los Angeles. Crippen was eventually caught after his secretary, with whom he was having an affair, was seen wearing Mrs. Crippen's jewelry, and a family friend searched unsuccessfully for Mrs. Crippen in California. After Scotland Yard became involved, Crippen and his mistress fled England under false names and were apprehended on an ocean liner. Police found parts of Mrs. Crippen's body in her cellar.
At the time the set was the largest indoor set built at Paramount Studios.
One thousand arc lights were used to simulate sunlight. Thanks to extensive pre-lighting of the set, the crew could make the changeover from day to night in under forty-five minutes.

Matériaux utilisés : Toile